Archive for May, 2008

THE SOUTHERN CROSS NOVEL CHALLENGE

Or SoCNoC for short. Since the title is a bit of a mouthful.
Here are the particulars, from the kiwiwriters.org website

Details

Start: 01 Jun 2008 00:00:00
End: 30 Jun 2008 23:59:59
Type: Writing
Goal: 50000 words
Participants: 113

The Rules

The goal is to write 50,000 words of fiction.

Generally the rules of NaNoWriMo apply but we’re a bit more flexible:
- the 50,000 words does not have to be on one novel
- you can work on an existing novel or multiple novels
- you can work on a compilation of short stories or even poems

However, for the best SoCNoC experience possible we recommend:
- you start a new novel on June 1st
- you aim to finish your novel at 50,000 words
- you aim to finish your novel by midnight on June 30th

Last, but not least, we ask that you log your word count no matter how close or how far you are from the 50,000 word goal. Last year we were only a few thousand words shy of collectively writing 1 million words. It could be your words that takes us over that mark this year.

SoCNoC

I’m taking part — are you?

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Reference Books

Posted by: Anonymousein Books, Research in Books, Research
27
May

I’m a sucker for Reference Books.
Well, okay. Show me a writer who isn’t.
Since a couple people ask me what I read / use for research, I’ve compiled a Reference Book List and put it with the other booklists.
Figured it might help out some people. :)

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I’ve blogged on Wicked Wenches today, regarding music and writing, which is our theme of the week.

Also, over on Amanda’s blog, The Berry Patch, I really liked the way she does her updates on her WIP’s. So much so… I might just do a Three Week Efficiary Exercise Tallying Yarns.
A Tweety.

For my Tweety posts, naturally I need a new category, which we shall name… Tweety. (Well duh, you didn’t think I’ll call it Sylvester, did you?)

The Update Posts shall have the following format:

Title:
Words Written:
Words Total:
Hero Mood:
Heroine Mood:
Story Snippet:

Hey now, this might just work. :)

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I ordered a batch of books in mid March. One of them was a pre-order for a book due for release 1st May.

You’d think I have the order by now, right? After all, when I placed it, the estimated delivery was 15th May.
About 2 weeks ago I checked and it said 6th June.
I just went to check on my second order and noticed the March order has gone out to JULY.
There was only one preordered book in this, it’s a Silhouette Nocturne and they get released beginning of the month. Considering I ordered nearly 2 months ago, you can’t tell me that they didn’t have stock in the meantime. What’s more, if I end up missing that book (I happen to like the previous two) I’ll end up paying a premium for it. Again. And I’m sick of it.
This is the third time a pre-order minced up the delivery and I’m going to look at someplace like Waterstones or Borders from now on.

Oh, not to mention, one of the pre-order books I placed previously? I ended up getting an email telling me it was “no longer available” and I ended up having to find a battered used copy someplace else.

Color me pissed. I am not impressed.

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I’ve just finished reading The Beast Within by Lisa Renee Jones.
The story isn’t bad, but the writing really grated on me. I don’t mean I hated it, I did finish the book, but I do mean the writing jarred me. A lot. In many places.
Lisa — if you ever trip over this blog post for whatever reason… Please never again use "The fire of desire." in any and all future writing.
It rhymes for Gods sake, at a point where it’s jarring as hell. Those few words ruined the mood for me every time — and you’re so fond of it, I found it three times. Slap your copyeditor for me.
Anyway. It’s one of those things.
Rhyming when your characters are about to jump each others bones… no.
Don’t. PLEASE don’t.

*shudder*

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Writing can be a lonely business.
Critique groups can be great - if they are active.
Critique groups can be hell - if you feel you don’t fit anymore.

That’s kind of what’s happened to me. I feel I don’t fit. I feel I’m writing the wrong thing when everyone goes off in directions I don’t want to go to. I can’t critique some things. I’ve started to dislike Urban Fantasy, because there’s just too much of it and all of it tries to be “Gritty”. Swearing isn’t gritty, it’s offensive to a lot of people. I swear as much as the next person, my characters use “bad words” too, but they aren’t based on those words, they don’t need them to look tough. My hero might utter an expletive when he’s annoyed, as a reaction to something, but my heroine usually doesn’t resort to it. Hell, she might even pull him up on it.
Too many stories I see these days have a heroine which is a tough gal, who gives as good as she gets — and swears like a trooper. Sometimes it works, sometimes Miss Heroine is written very real, very well. Most times… ugh.
I don’t like childish heroines either. Keep your bubblegum pink girly girls whose every other word is fuck. I’m an adult, I like an adult heroine. Swearing doesn’t give character, it makes me dislike the person if it’s overused. And some words… some words should be struck from the english language with a penalty to anyone who uses them. Cee You Next Thursday (I leave it up to you to work out what I mean) used by a woman… is so incredibly offensive to me, it’s not even funny.
Part of my dislike for that word stems from the fact that I work with people who think that word is okay to use to apply to people. They mean to label them an Asshole / Bastard / Idiot — but believe me, I don’t think it’s funny. I’ve taken to throwing soap bits at my boss when he says it, and I’ve already told him it’s *not* okay, it’s actually very offensive. He apologized and is trying to curb his tongue, but he gets carried away, as do the other guys.

So when I found it used in a story… Sorry. It jarred me so badly, I wanted nothing to do with a writer who uses it for effect.
The story was labelled Urban Fantasy, and it was another strike against the entire genre for me, because if that is the direction the genre takes — then it’s not something I’ll read. It will make me boycott the author, period.

Yeah, maybe I’m a prude. I don’t think so, but there you go. I don’t mind graphic scenes, I don’t mind graphic language. I do mind that word. I have a similar dislike of the word cock, but alas… I’m female. It’s nowhere near as offensive to me as the equivalent c word as applied to the female genitalia.
Why, why, do some women feel it’s okay to bring such a degrading word into the generally accepted vocabulary?
As far as I’m concerned, it’s not.

But I digress.

The above is one of the reasons I shied away from a really great critique group. I have a problem with someone in there, and although I’ve been around a long time, that doesn’t matter. So I didn’t go back anymore. I don’t want to post anything there, because I know I’d eventually get confrontational. I don’t want to post my chapters for critique anymore because I don’t want that writer anywhere near them, or even see them.
Yes, I know I’m anal and I cut myself off due to my own misgivings. I miss the rest of the girls. A lot. They are great, but at the end of it, sorry, I just felt cut off and singled out in a way. I can’t help the way I feel, and since no one else shares that feeling, I’m better off out of there I think.
I’m also the only paranormal writer in the mix, the rest write other things. It’s a romance group, so that’s what I expect to critique. Well. First chapters of a new member were Urban Fantasy, so that’s another thing. Why the HELL join a romance group - if that’s not what you write? It boggles the mind.
Yeah, I can critique it. And I did. I got slammed instantly because yeah, I was blunt. It didn’t work for me. When I asked someone else — funny, they said the same thing. Same points I made. But they didn’t post it, I did. Seeing the response I got made them not post their opinion. Therefore I was the evil nasty critiquer who doesn’t “get” it when everyone else does. (No they didn’t like it any more than I did, they were just more polite and kept stumm.)

So now that I don’t mingle there, I feel lost and lonely. I’m holding off on retiring from the group, but I know I will. It will feel like losing a lot of very good friends, but my feelings about hanging on are too strong and would make me too resentful, too… catty. God, how to tell someone you will really miss them, but you can’t stay because you know what it will turn into? That the trust toward someone just isn’t there?

That’s what it boils down to, I think. Trust. You have to trust your critique partners to do right by you, to give you their honest — even if it hurts — opinion. But you have to be able to take it as well as dish it. I can take it, hell, I had one critiquer tell me the heroine didn’t work. At all. And to go and rewrite her.
Guess what? I did. It hurt at the time, but the story is better for it. I valued her opinion, because I knew there was no animosity or anything, the trust was there for her to feel comfortable enough to tell me the truth. I ended up getting slammed for doing the same thing, btw. (Not by the same person.) That — more than anything — destroyed the faith I had in the group as a whole. I won’t present my opinion through rose tinted glasses just in case I might offend the author of the piece. If that’s what they want, then tell me not to critique their stuff. That’s fine by me, but frankly, don’t tell me off after I spend a few days going over some twenty single spaced pages and line edit.
I don’t agree with a bunch of the critiques I get, but I wouldn’t dream telling the critiquer off for their opinion. They didn’t like it, that is THEIR RIGHT. If we all liked the same authors, the same books, the same stories… we’d have no diversity. A “I don’t like this” opinion is as valuable to me as a “ooh… I like this” one. Maybe more so, because it may well be more objective. A “don’t like it” critique is like getting a bad review, I guess. We all better learn how to handle those and be gracious about it — because if we really want it bad enough and get our books published and out there… we are going to get our share of “This is crap” reviews.
However, if the trust in the group isn’t there anymore, for whatever reason… I think it’s better to leave. Even if it means you feel lonely again, even if you might never find a group that’s as great as the one you had. In the long run, I’d rather be lonely than unhappy and uncomfortable.

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